Yesterday, the very last decent thing on locally in mainstream cinema was God's Creatures, at the Omniplex again, in which Emily Watson plays Paul Mescal's mother, in an isolated Irish fishing village on the Atlantic coast - the local canning factory has a name "? Atlantic Sea Foods". And so, off I headed to the earlier showing - again, mostly full, but it is the smallest screen they have! A couple arrived slightly after the start of the film, and proceeded to chat away - I was very glad when, after a couple of minutes, they left. I guess they found it boring.
I didn't - you can't go wrong with Emily Watson and Paul Mescal. So, he arrives suddenly, having disappeared to Australia some years before. No warning, no explanation - as his sister remarks, "so, it was the shite weather and the lack of jobs!". Or words to that effect. He claims homesickness - unlikely, if you ask me, and I do wonder why he left - nothing more is said about it. Anyway, he catches up with his childhood sweetheart (Aisling Franciosi) .. it's not much of a spoiler to say that next thing she's accusing him of rape, and his adoring mummy - terrified he'll disappear again - gives him an alibi. Which is, of course, a lie..
It's a quietly powerful piece, brilliantly acted. And, unlike other recent films set in Ireland, they have, indeed, pretty shite weather - until about the last scene, I think. There's a very clear gender divide in this community; the men perform the jobs on the water - apart from the publican; the women - all that appear in the film, anyway - work in the factory. (For a male boss.) Emily Watson's husband (Declan Conlon) has little to say to her, his dad - who seems to have dementia, and whom she has the job of looking after - slaps her. The woman who ends up accusing Paul Mescal of rape herself lives with an abusive husband. She's the one who mentions the film's title, musing that all men are the same - "we're all God's creatures in the dark".. It's not a happy place for women to start with - and, true to form, the men tend to rally around him, the women around his accuser. Apart from his mum, who then finds herself ostracised. Something's gotta give..
Recommended. Unless you have a low attention span - like that couple that left early. As for the rest of us in the cinema, I noticed a couple of groups up the back who took a while to leave at the end. Wonder whether they knew the place or people, and were looking for them in the credits.. or perhaps recognised the situation? Who knows..
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