Tonight, I booked for Iphigenia in Splott, in the Lyric Hammersmith. Having had no really good eating experiences in Hammersmith, I headed back to O' Neills - for the first time in a week! And yes, the friendly waiter with the topknot recognised me, which was nice. I have to say - after a couple of days of Greene King pies, the O' Neill's chicken katsu curry didn't quite compare: but I still prefer the atmosphere here. Great to have the choice, so close to home!
It was always going to be Tube to get there, of course. Now, if you take the Circle, or Hammersmith and City, lines, it's a separate station - across the road, actually - from Hammersmith Broadway, where the Piccadilly Line station is. And if you take the Circle or Hammersmith and City - as I did - you come out right across from the theatre - just hang a right and you'll see it, across another road. So in I went - and was most impressed with the decor in the ground-floor cafe!
And so upstairs, and to the first-floor cafe - where, shock horror, they had no cake! Damnit, I'd been looking forward to that. I do see, however, that they've developed their food offering, now offering main meals up to 9pm, five days a week! Must check that out, in future. Meantime, I had a glass of sauvignon blanc - which, I must say, was sharper than I am used to. I was early enough to get a decent seat at a table for four. By 6.45 - 45 minutes before start time - the place was overflowing. I ended up sharing my table with two elderly ladies, one of whom explained that her daughter had urged her to see this, said it was amazing. She was unsure about how to pronounce it, though.. They were appalled to hear that they had to go upstairs again for the theatre, but relieved to be told there are lifts.
Me, I went up when I'd finished my wine:
That rear wall is composed of flourescent strips - some askew, doubtless a reflection of the squalid world in which our Iphigenia - "Iffy", as she calls herself - lives. Cardiff, she's from. And there are many who will not warm to her upon meeting her - loud-mouthed as she is, clad in trackies all day, sculling vodka and weed.
But oh, just you wait until she starts to tell her story. I have not seen a performance like this since Jodie Comer in Prima Facie. The blurb describes it as "shattering", and it is that - an amazing piece of writing, a stunning piece of acting, and a scathing indictment of modern Britain. By the end, having lived through her experience with her, I guarantee you will have changed your opinion of her diametrically. The standing ovation was well-deserved. Run and get a ticket - this is only on till Saturday!
Tomorrow, was supposed to have drinks with Ivan. But now it turns out he has Covid, so that's off the menu. Instead, I'm headed to hear the London Handel Players perform At Their Majesties' Pleasure, a programme of Baroque dance music, at St. John's Smith Square. Courtesy of TAC.
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