I was glad I hadn't bothered with fancy dress - hardly anyone else did either, although I think someone in the front row had. And the MC, who wore Maleficent horns, which she described as very hot and uncomfortable. Yes, even those of us not wearing latex were hot and uncomfortable by the end..
Thursday, 27 October 2022
Comedians Telling Spooky Stories
I was glad I hadn't bothered with fancy dress - hardly anyone else did either, although I think someone in the front row had. And the MC, who wore Maleficent horns, which she described as very hot and uncomfortable. Yes, even those of us not wearing latex were hot and uncomfortable by the end..
Play: Mary
By the simple trick of moving that wall back, they allow us to experience action in two apparently separate rooms - the second much larger than the first. And apart from chairs - and a desk, in the larger room - there isn't any other furniture. Well, in those days, furniture was a luxury! which is why, when you visit older palaces, it tends to be in short supply. Plebs in those days tended to stand..
Sunday, 23 October 2022
Film: The Banshees of Inisherin
Back in Ireland again, courtesy of Ryanair: who finally managed to get the flight out on time - by boarding priority and non-priority passengers together. Well jeez, if it works..! Pity there was little aircon, and the flight was stifling - but you can't have everything.
Film for yesterday looked like The Banshees of Inisherin! Another written and directed by Martin McDonagh, starring Brendan Gleeson and Colin Farrell as lifelong friends who live together on a remote island off the West coast of Ireland: except Brendan is finally sick of Colin. Also starring both Jon Kenny and Pat Shortt (as the publican) (both past constituent members of d' Unbelievables), as well as Barry Keoghan. Showing in Ennis.
Well, my mother warned me of a big match in Cusack Park - near which I'd be parking. Duly warned, I headed out early.. despite this, and despite driving around and around for half an hour, I could get parking nowhere. Streams of cars doing the same thing - I finally gave up on the film entirely (just as well I hadn't booked) and said, well, I might as well derive some use from my day - I headed to Limerick. Got my shopping there, although I didn't get to the cinema. Cheaper petrol in Limerick, too.
For today - would you believe it, she warned me of another match in Cusack Park! So I gave up on Ennis entirely and headed straight to the Omniplex - booked my ticket, as it was already over half full (they're showing this film in two screens, and my screening was in the smallest of the whole cinema). Despite heavy traffic in the city - and avoiding O' Connell Street as usual because of horrendous, never-ending roadworks - I managed to get there, and get settled, just in time..
Wow. Well, my first impression was - this is a real recreation of life in old Ireland. It's set in 1923, on a remote island off the West Coast - people live in little cottages. And the feeling is pretty authentic, from what I can tell - I've never lived in one, but have been in them, and the light from the little windows is right, the construction seems right - Colin Farrell's character brings farm animals into the house, old women wander around in black shawls, the pub looks authentic. Far as I can tell, this is Ireland in 1923 - in a remote community.
He's not set it in that year accidentally - the Civil War was raging. A direct result of the treaty that gave Ireland independence, the war was fought between the pro-treaty faction (who believed Ireland could expect no better - the Free Staters) and the anti-treaty faction (who thought the others had sold out). It's glimpsed in this film - we can see the odd explosion on the mainland, the locals sometimes discuss it. As one says, he hardly knows which side is winning - it was all easier when they were just all killing the English (in the War of Independence, which had finished a couple of years before).
Meantime, on the island, these two old friends are at loggerheads. You might see it as an allegory of the Civil War, a disagreement blown out of proportion, neither side willing to back down - a conflict that tears the whole community apart. And it does become quite gruesome - it's not a secret, having been revealed in the trailer, that Brendan threatens to cut off one of his fingers with a pair of shears he has, if Colin says another word to him! Other grievances come to light too. It's no wonder that Colin's sister never has a good word to say about the place, which she finds insular and mean-spirited.
Oh, and yes, it is a comedy! A very, very black comedy. The animals have as much star quality as the humans - and do look out for the small moments of levity. Like the benighted publican, trying to keep things normal. Or the idiocy of Colin's character. Or the sheer surreal nature of the whole thing! McDonagh's parents were from the West of Ireland, apparently - and I think he's got it down pat.
The scenery is stunning - and it was filmed during the blistering summer that Ireland got last year, during lockdown! (They managed one day of rain, which might be artificial.) It was, indeed, filmed on a couple of West coast islands - I can see tourism to the West coast soaring. The little cottages are as claustrophobic as the society of the island on which they're built. Lovers of traditional Irish music, rejoice - Brendan Gleeson's character is a musician, and there's trad aplenty - the title of the film comes from a tune he composes.
The story ends up being quite shocking - and won't be for everyone. But it's beautifully shot, marvellously acted - apparently got a 15-minute standing ovation at the Venice Film Festival. Yes, this is making waves.
Friday, 21 October 2022
Restaurant: Le Sacré Coeur
Wednesday, 19 October 2022
Concert: At Their Majesties' Pleasure
Tonight, was supposed to have drinks with Ivan. But now it turns out he has Covid, so that was off the menu. Instead, I headed to hear the London Handel Players perform At Their Majesties' Pleasure, a programme of Baroque dance music, at St. John's Smith Square. Courtesy of TAC.
Unable to think of anywhere decent to eat around there, I ate in O' Neill's again. Which, you see, is close to where I'd have to catch a bus. And I'm happy to report that the spell of Greene King's pies seems to have worn off - I found my dinner exceedingly yummy. Could have done without the exceedingly loud group of guys beside me, mind - but then, I frequently did, they nipped out for a smoke so often! and duly left me in peace to finish my dinner.
I took a couple of buses - had a cold wait in between - and arrived quite early. Somehow, the guy who gave me my ticket neglected to accompany it with a programme. Never mind, I headed to the cafe, and had a very nice glass of wine. I see I could actually have eaten here - they also do steak and ale pies. Must bear that in mind, next time! Terribly polite staff, too.
Wine drunk, I headed up the stone spiral staircase. Seating was unassigned.
A lovely programme, even if I didn't know exactly what was being played. But wow, I hadn't expected dancers! Baroque dancers, at that - and in costume. They were mentioned in the show description, but I hadn't read it carefully enough.
Ah, it was gorgeous - we started with 16th century music, including Purcell (I gleaned by a glance at someone's programme). And the dancers danced appropriately for the time, including the Courante, apparently Louis XIV's favourite! Also the minuet, which I've danced myself. Interesting to think that the French court had such a huge effect on Charles II of England - he lived there, in exile, for about 10 years, after all!
We were told how Baroque music lasted a very long time - Handel flourished under the reign of George II, nearly 100 years after Charles II! And lo, we got a more modern outfit from the dancing lady:
The concert finished with a Sarabande - considered rather licentious for its time, and banned by the Catholic Church in Spain, where it originated! Cue much laughter from the audience - crikey, I didn't find it surprising, knowing the Catholic Church as I do..
And before we were let leave, they dragged (most of) the audience up in a chain dance! Great night, and not at all what I expected. I was sorry not to meet Ivan - but delighted not to miss this!
And on the way home, seeing my bus wasn't coming any time soon, I recalculated my directions and made my way home quicker, if in a more convoluted way..! Ah, the joys of the Hopper.
Tuesday, 18 October 2022
Play: Iphigenia in Splott
Tonight, I booked for Iphigenia in Splott, in the Lyric Hammersmith. Having had no really good eating experiences in Hammersmith, I headed back to O' Neills - for the first time in a week! And yes, the friendly waiter with the topknot recognised me, which was nice. I have to say - after a couple of days of Greene King pies, the O' Neill's chicken katsu curry didn't quite compare: but I still prefer the atmosphere here. Great to have the choice, so close to home!
It was always going to be Tube to get there, of course. Now, if you take the Circle, or Hammersmith and City, lines, it's a separate station - across the road, actually - from Hammersmith Broadway, where the Piccadilly Line station is. And if you take the Circle or Hammersmith and City - as I did - you come out right across from the theatre - just hang a right and you'll see it, across another road. So in I went - and was most impressed with the decor in the ground-floor cafe!
And so upstairs, and to the first-floor cafe - where, shock horror, they had no cake! Damnit, I'd been looking forward to that. I do see, however, that they've developed their food offering, now offering main meals up to 9pm, five days a week! Must check that out, in future. Meantime, I had a glass of sauvignon blanc - which, I must say, was sharper than I am used to. I was early enough to get a decent seat at a table for four. By 6.45 - 45 minutes before start time - the place was overflowing. I ended up sharing my table with two elderly ladies, one of whom explained that her daughter had urged her to see this, said it was amazing. She was unsure about how to pronounce it, though.. They were appalled to hear that they had to go upstairs again for the theatre, but relieved to be told there are lifts.
Me, I went up when I'd finished my wine:
That rear wall is composed of flourescent strips - some askew, doubtless a reflection of the squalid world in which our Iphigenia - "Iffy", as she calls herself - lives. Cardiff, she's from. And there are many who will not warm to her upon meeting her - loud-mouthed as she is, clad in trackies all day, sculling vodka and weed.
But oh, just you wait until she starts to tell her story. I have not seen a performance like this since Jodie Comer in Prima Facie. The blurb describes it as "shattering", and it is that - an amazing piece of writing, a stunning piece of acting, and a scathing indictment of modern Britain. By the end, having lived through her experience with her, I guarantee you will have changed your opinion of her diametrically. The standing ovation was well-deserved. Run and get a ticket - this is only on till Saturday!
Tomorrow, was supposed to have drinks with Ivan. But now it turns out he has Covid, so that's off the menu. Instead, I'm headed to hear the London Handel Players perform At Their Majesties' Pleasure, a programme of Baroque dance music, at St. John's Smith Square. Courtesy of TAC.










