Showing posts with label OfficialLondonTheatre. Show all posts
Showing posts with label OfficialLondonTheatre. Show all posts

Tuesday, 7 February 2023

Magic: Showman

Tonight, I was excited to be headed to see Derren Brown in Showman, at the Apollo Shaftesbury Avenue. Cheapest tickets with Official London Theatre again. And frankly, after last night, I was rather glad to be going on my own.

Looking at eateries nearby, the nearest that looked decent and had availability was Bella Italia - so I booked a table for 6pm. Figured that'd be ok, as it's just down from the theatre, and the show starts at 7.30. I had fun on the bus out there, though - it was diverted, I couldn't hear a word the driver said, either over the PA, or by speaking to us directly. So I was disturbed when he didn't turn where he was supposed to.

I started pressing the bell to get off. Unfortunately, a group of foreigners had accidentally been pressing the disabled bell, and he obviously thought it was just them again. Finally, when we were stopped just north of Trafalgar Square, one of the girls from that group went up to him - obviously to ask him to let them off. All he said to her was to ask her to speak up. She, of course, didn't understand him, and went back to her group. Well, I decided to press the bell again - whereupon he looked back to ask them why they kept pressing it! I interrupted him, said I had pressed it, I wanted to get off. "Well, why didn't you come and say it to me?" Duh... Whereupon he finally opened the doors, and we all got off. To his relief, I'm sure - certainly to ours. I'd complain his attitude, but there's hardly any point - he'd just say they'd been creating a nuisance and confusing him.

So I had to walk from there to Shaftesbury Avenue, instead of just crossing the road. Mercifully, I'd left plenty of time - even with all of that, I was five minutes early! and I hardly needed to book - there was hardly anyone there. I got a table by the window. Mind you, by 6.20 they were turning people away..

I had garlic dough balls, with garlic butter - which turned out to be absolutely gorgeous! Highly recommended. The choice of main was tricky - they were all the same price, and I finally went for the carbonara. Lovely. I had a couple of glasses of what must be among the cheapest sauvignon blanc in the West End, at under £8 for a large glass! Well, I figured, it'd be cheaper than at the theatre - and the plan was also to have dessert. However, the service that had been so attentive when I arrived had now vanished - no wonder, when I signed into the house WiFi, I was asked whether I'd like to work there! They're obviously short-staffed. So I paid and left. This is a real find, however - I'd be delighted to eat here again.


And so to the theatre, where the usher told me to head for the last door and climb the stairs to the Balcony. Now, I didn't expect as many as there were - and I certainly didn't have the energy to count them on the way up - but I decided to count them on the way down. And so I now know there are 80. They seemed to go on forever, with a particularly cruel, long last flight. I was in the front row of the Balcony, and you come in at the back - so I then had to go down more stairs. I was glad of the railing - they are steep, and of uneven height.


As to the seat - well, from the picture, you can see the view is woeful. Happily, the Balcony is so steeply raked that it's no problem to lean forward - otherwise, no-one could see anything. The legroom is nonexistent - good for me, choosing an end seat! I spent the whole night twisted to the side. Was stiff and sore afterwards. But the alternative - keeping my legs pointed forwards - was impossible; I actually had the idea to compare the gap between the seat - in the position where I was sitting on it - and the balcony cushion, and my mobile. Turns out my mobile - 6.3 inches long, I checked - just squeezes into the gap. Tightly. Absolutely terrible seats. But as I say, I managed, by sitting sideways (actually half off the seat) and leaning on the balcony. I found it more comfortable to sit on the ledge beside the stairs for the interval - I'd have stayed there for the entire show, except that I couldn't see at all from there.

Being in plenty of time for the show, I went in search of a glass of sauvignon blanc - the price list, predictably, was more expensive than the restaurant. But when I asked for one, I was told they had no white wine at all! Oh well, I did without. Just as well I had that second glass at the restaurant. At the interval, I saw people coming back with ice creams, which would have been nice - but I couldn't see where they were selling them, and gave up on it. At the end, I saw they'd been at the top of the steps. They'd left the empty stand there. I did take the opportunity to go to the toilet - only to discover massive gaps between the cubicle doors and walls! Great for people-watching.. in either direction..

Well, none of this left me in a great mood for the show. But I have to say, it was excellent! I'm not really familiar with Derren Brown, but he's a mentalist, apart from other things. I hesitate to say much about the show - particularly as he asked us not to reveal anything - but I'll say this. Be it magic or trickery, the man is talented! And I loved the reaction of the hapless young lady that he'd had on before and brought on again - we could see closeups of everything, cameras beam everything to monitors all around the theatre. My, the resigned look on her face, as he asked her how she felt about doing something else, and she remarked that she didn't trust him one little bit! The show also had its poignant moments, and the more traditional mentalism that happens at the end is truly impressive. If the audience members involved were plants, they were terrific actors..

Highly recommended. Runs till the 18th of next month - low availability for all remaining shows. Just be careful where you sit!

Tomorrow, off to The Lehman Trilogy, at the Gillian Lynne Theatre. Based on the true story of the bank that collapsed. Got the last £39.50 ticket! Unfortunately, it's an early start - and the boss just noticed last week that I didn't get invited to the new session of Wednesday meetings. Which run on late. So, I think it'll be rushed to eat - unless I go to Pret.

On Thursday, back with Up in the Cheap Seats for Winner's Curse, at the Park Theatre - an interactive show about a peace negotiation. Turns out North London Friends are headed to it the same night - what, are they now copying this group, as another group did some time ago? (since closed down).

And then I'm back to Ireland again. Now that the full weekend listings for Ireland are finally out, I'm thinking the weekend film is like to be The Whale, starring Brendan Fraser in an Oscar-nominated performance as a morbidly obese English teacher, looking to reconnect with his estranged daughter.

And on Monday, I'm headed to Allegiance, starring George Takei in a musical based on the true story of his time in an American internment camp during the Second World War. Showing at the Charing Cross Theatre.

Monday, 30 January 2023

Play: Noises Off

Back to London last night, and more fun with planes. Ryanair has a habit of using other airlines' planes to fly from Shannon - last night it was Air Malta. Absolutely fine, nice to have a change of colour scheme - and they often have more comfortable seats. Only thing is.. the seat configuration changes. I've more than once found myself in an exit row seat, unexpectedly - I don't like it, I don't book them, because I find it annoying to have to put all my stuff in an overhead locker. But, with the different configuration, it can happen. Didn't happen to me last night - instead, it happened to an old lady, who'd arrived at the plane in a wheelchair, and used a cane to get to her seat. In the emergency exit row. Yeah.. don't think so. Get your act together, Ryanair..

And so to tonight, when I headed with Up in the Cheap Seats (UITCS) to Noises Off, starring Felicity Kendal, at the Phoenix. Again, cheapest tickets from Official London Theatre (OLT). I discovered it was close enough to walk, and decided to eat at GBK, which I'd be passing on the way. It's a funny thing - last time I was here, they acted like I was an old friend, anticipated my order, were chatty. But the last time.. was 11 days ago. And tonight, they acted like they didn't know me. Ah, what a fickle thing memory is.. Well, the food was as good as ever, so I was happy!

More fun at the theatre, where I was the only one of the group in the Dress Circle, the others all being a level up, in the Grand Circle. See, I booked quite recently, and the cheapest priced tickets at that stage were such that there were also some in the Dress Circle.. so I naturally got one there. The ushers were quite perplexed when I explained to them that I'd need access to the Grand Circle Bar, to meet the group! They assured me I could get from one to the other, yes. However, when I went up, I couldn't see a way - I asked the barman, who pointed me at the fire escape and to the stairs up from there (on the other side, the door is just marked "Private"). And so I met them, and all was well..


They were saying, at the interval, that the Grand Circle was quite empty - well, the Dress Circle was packed! I was quite happy to have an aisle seat, where I had legroom if I needed it - not that I really did. Now, we were drawing comparisons with The Play That Goes Wrong - which I found absolutely hilarious - looking it up, we discovered that this one is 40 years old! And I think, at the interval, we all agreed that we couldn't see what all the fuss was. It's a play within a play, a play about amateurs putting on a play, and things going wrong - but it's rather reserved.

And then we went back after the interval - and all hell broke loose. See, all they are doing in the first half is setting the scene - showing us how the play is roughly supposed to go. When the curtain goes up after the interval, we see backstage - and the chaos begins, while the regular "play within a play" attempts to continue on the other side of the set. There's another pause - and we're back stage-side again. By this time, however, half the cast is demented (or sozzled), and the play we now get is nothing like the one we started with. We were literally rolling in our seats, tears of laughter streaming down our faces. And by "we", I mean the whole audience. Comedy is tricky - but when it's good, it can be wonderful. I thought this was wonderful. Runs till the 11th of March - highly recommended.

Afterwards, strangely, Google Maps thought it'd take me one minute longer to walk home than it'd taken me to get there! I'm glad I braved that one minute extra walk - I passed a building that interested me much more on the return journey than outbound! The Now Building is located across from Tottenham Court Road Station - and seems to display constant films on the walls and ceiling of its atrium. With seating, if you want to stay a while!



Tomorrow, with a group I haven't joined in a Very Long Time - I'm back with London Dramatic Art, from whom I've got a front-row ticket for Sylvia, at The Old Vic; this is the story (in song) of Sylvia Pankhurst, and stars the excellent Beverley Knight. Completely sold out - this was my only way to get a ticket! Must remember not to post the link to my blog, to their page - they banned me from doing that, after discovering I was advertising cheap ticket resellers!

On Wednesday, back with the Horror Book Club. This time, it's The Ballad of Black Tom, based on the Lovecraft story, The Horror at Red Hook, but told from the perspective of a black man. I managed to get through the club's book, and read the entirety of the story it's based on, which is much shorter - and less coherent. Again, the meeting is in the Prince of Wales, Covent Garden. Question is, will the kitchen be open..?

On Thursday, I'm on my own for My Son's a Queer (but what can you do?), a musical at the Ambassadors Theatre.

On Friday, my first meeting of the year with London Classical Music and Theatre Group! We're off to Wigmore Hall, to listen to the Hagen Quartet play Mozart. They're Austrian, so that's appropriate.. I just need to remember not to drink the ultra-expensive sauvignon blanc! Meeting my sometime dinner companion beforehand, down the road at Olivelli.

On Saturday, well, Laurence Summers and the 45+ Not Grumpy Old Londoners are back to Greenwich again. Now, I have been there with him before.. not sure how "new" this one will be, but hey, it was a great day last time! Meeting Ivan that evening.. somewhere..

On Sunday, nothing on Meetup appealed massively - I thought I might go for a walk along the Ken's Events route, if I feel like it! (on my own). Or Over 40 Living the Life has advertised a walk along the New River.. I'd have to see, as I have to pay to sign up (refunds given to those who then come). And I might well change my mind.. which I finally did, when Free Stuff and Free Events advertised a blues concert at the Earl of Chatham, Woolwich. It's a way out, is all - but then, it's free, if I wanted to cancel. And.. now I have, because London Herstory Guided Walks! has finally advertised a walk I can go on. I was recommended this by someone a while ago - they run guided walks with a female theme. Sunday's is Deeds Not Words! Suffragettes, Spies, & Warrior Queens. Delighted to be able to go on one of theirs, at last - they're usually on during working hours. Only thing is, they don't specify how to pay - cash on the day, I'm guessing, as they don't take payment on booking.

Next Monday, my first actual event with the Over 40s. We're off to How Not to Drown at the Theatre Royal, Stratford East - the first event of theirs for which I couldn't get a cheaper ticket! So I decided, if I couldn't beat them, I might as well join them. True story of an unaccompanied, 11-year-old asylum seeker.

On the 7th, excited to be headed to see Derren Brown in Showman, at the Apollo Shaftesbury Avenue. Cheapest tickets with OLT again.

On the 8th, off to The Lehman Trilogy, at the Gillian Lynne Theatre. Based on the true story of the bank that collapsed. Got the last £39.50 ticket!

On the 9th, back with UITCS for Winner's Curse, at the Park Theatre - an interactive show about a peace negotiation. Turns out North London Friends are headed to it the same night - what, are they now copying this group, as another group did some time ago? (since closed down). And then I'm back to Ireland again.

And on the 13th, I'm headed to Allegiance, starring George Takei in a musical based on the true story of his time in an American internment camp during the Second World War. Showing at the Charing Cross Theatre.

Wednesday, 25 January 2023

Play: Orlando

For the next week or so, it's all Up in the Cheap Seats (UITCS)! Last night, for some reason, I hadn't seen their advertised event to see Orlando, based on the book by Virginia Woolf, and showing at the Garrick. For this, however, I found the cheapest tickets from Official London Theatre (OLT).

We were meeting beforehand in The Chandos, because the theatre bar is so small and we had a large group. And it's just around the corner. Our organiser booked a table. I checked - yes, they do food - so I decided to head there early, try and grab a bite before we met. Turns out the main dining area is upstairs, although they do number the downstairs tables as well - I asked where her table was booked (upstairs or downstairs), but she didn't know. So, seeing that the downstairs was quite packed, I headed upstairs - our table wasn't booked for a while yet, so I grabbed what looked like the most convenient spot to eat at, a shelf with high seats. It did have a young couple at one end - sod it, this wasn't really like sharing a table! So I occupied the chair at the far end. Whereupon he remarked to her that this wasn't very private. Aww..

Well, I ordered at the bar. Funnily enough, they don't do sauvignon blanc, but they do a very nice chenin blanc. I could have had the steak and ale pie - to compare with Greene King - but I decided to have the half roast chicken instead. Very moreish, I have to say - yummy chicken gravy served with it, in a sauce boat, accompanied by pots of BBQ sauce and aioli. All massively tasty, and my chips did a round of all three. I posted on the Meetup page where I was sitting - there were people at the table we'd reserved - and was just about finished when people from the group started to arrive.

In due course, the organiser arrived, said hi, and went off to see about the reservation, digging out her confirmation email. Well! She came back in high dudgeon. Although someone had indeed emailed her to confirm the reservation - and given her a table number - they were now saying they didn't take bookings! Indeed, I hadn't been able to see a booking option when I looked it up on Google Maps. Now, it's one thing not to take bookings - it's another thing entirely to take a booking and then let customers down! Of course, the exact same thing happened on Sunday, when our organiser had booked a table at The Museum Tavern, which staff knew nothing about when we got there.. Well, you have been warned. Just because you're in a popular area, it's not worth treating customers badly. In the end, we did get a table downstairs, and chatted away until showtime.

Another cursory bag check, and we were in - and how pleasant it is to be on ground level! The Dress Circle, where I was booked, leads straight off the lobby. And it's lovely to be so close to the stage - closer than I usually am in venues like this. Good, comfy seat, too.

The only thing I can say I didn't like about this play was the use of no fewer than nine (!) Virginia Woolfs on stage, mostly just overseeing proceedings. I don't get the point of that, and as our organiser said, it's awkward when they're all speaking together - which, happily, doesn't happen much. Well, Emma Corrin plays the title role - a young man at the Elizabethan court, who zips through history, looking for love. Every time he goes to sleep, he seems to wake up in another time period - from the 1700s, he becomes a woman! (There is a maid to keep us all informed, but we can also tell from the costume changes.) By the end, (s)he is flummoxed - still Orlando, but when asked what (s)he loves, the best answer seems to be "a good red wine"!

It's a feminist piece, of course - and I guess there's no point in representing our hero as a woman before the 1700s, she'd have had so little say in her own life. By the 1700s, she might have had some - but, as we learn, she couldn't own property, and basically had to choose an obliging husband, who would allow her to live the life she chose. The Victorian period is funny, with the straitlaced manners, and the husband who marries her, then disappears to sea - indefinitely! The play's aim is ultimately unfulfilled, as despite his/her perambulations through history, (s)he cannot find an era where (s)he's truly happy, or a person with whom (s)he's truly happy. But hey, it's a fun romp through history! Runs till the 25th of next month, if you want to check it out for yourself.

Couldn't blog last night - I had to be up early for a delivery today. Which hasn't arrived yet, and won't now, unless it's by courier. Tonight, we're off to see John Bishop at the Leicester Square Theatre. Love him, so I booked as soon as I saw this advertised - one of the few things for this month that I booked last month! Not that it seems to be selling out..

Tomorrow, we're off to The Vaults Festival - specifically, The Welsh Lxdies, a bilingual show about the women of Wales.

Then back to Ireland for the weekend again. With partial film listings finally out for there, it's looking like The Fabelmans, in Ennis - an autobiographical tale from Stephen Spielberg, about how he got into filmmaking.

On Monday, we're heading to Noises Off, starring Felicity Kendal, at the Phoenix. Again, cheapest tickets from OLT.

On Tuesday, with a group I haven't joined in a Very Long Time - I'm back with London Dramatic Art, from whom I've got a front-row ticket for Sylvia, at The Old Vic; this is the story of Sylvia Pankhurst, and stars the excellent Beverley Knight. Completely sold out - this was my only way to get a ticket!

Next Wednesday, back with the Horror Book Club. This time, it's The Ballad of Black Tom, based on the Lovecraft story, The Horror at Red Hook, but told from the perspective of a black man. I managed to get through the club's book, and read the entirety of the story it's based on, which is much shorter - and less coherent. Again, the meeting is in the Prince of Wales, Covent Garden. Question is, will the kitchen be open..?

On the 2nd, I'm on my own for My Son's a Queer (but what can you do?), a musical at the Ambassadors Theatre.

On the 3rd, my first meeting of the year with London Classical Music and Theatre Group! We're off to Wigmore Hall, to listen to the Hagen Quartet play Mozart. They're Austrian, so that's appropriate.. I just need to remember not to drink the ultra-expensive sauvignon blanc!

On the 4th, well, Laurence Summers and the 45+ Not Grumpy Old Londoners are back to Greenwich again. Now, I have been there with him before.. not sure how "new" this one will be, but hey, it was a great day last time! Indeed, that evening might be the time to meet Ivan - and our coworker, if he's recovered, by then, from the jetlag he'll suffer from the trip to India he's currently on!

On the 5th, nothing on Meetup appeals massively at the moment - I might go for a walk along the Ken's Events route, if I feel like it! (on my own). Or Over 40 Living the Life has advertised a walk along the New River.. I'll have to see, as I have to pay to sign up (refunds given to those who then come). And I might well change my mind.. 

On the 6th, my first actual event with that group. We're off to How Not to Drown at the Theatre Royal, Stratford East - the first event of theirs for which I couldn't get a cheaper ticket! So I decided, if I couldn't beat them, I might as well join them. True story of an unaccompanied, 11-year-old asylum seeker.

On the 7th, excited to be headed to see Derren Brown in Showman, at the Apollo Shaftesbury Avenue. Cheapest tickets with OLT again.

On the 8th, off to The Lehman Trilogy, at the Gillian Lynne Theatre. Based on the true story of the bank that collapsed. Got the last £39.50 ticket!

On the 9th, back with UITCS for Winner's Curse, at the Park Theatre - an interactive show about a peace negotiation. Turns out North London Friends are headed to it the same night - what, are they now copying this group, as another group did some time ago? (since closed down). And then I'm back to Ireland again.

And on the 13th, I'm headed to Allegiance, starring George Takei in a musical based on the true story of his time in an American internment camp during the Second World War. Showing at the Charing Cross Theatre.

Tuesday, 27 November 2018

Musical: Company

Tonight, I went to see Company, by Sondheim, at the Gielgud. No tickets available for the upper levels on the official site when I booked - they must all have been bought up by resellers! Cheapest I found was with OfficialLondonTheatre, run by See Tickets.

Headed off in good time, arrived at the theatre with time to spare. Just as well - nobody at the door was explaining that you don't go to the box office to collect your tickets, the desk with tickets is right at the other side of the lobby. Through all those crowds again, and back outside to get to the beginning of the queue. Collected my ticket, and back against all the crowds to get to the entrance to the Grand Circle - which is outside the lobby. Blasted nuisance.

Climbed the stairs, trod the strangely sloping floors, and got to the Grand Circle - where the usher forgot what he was supposed to be doing. "Oh, eh, yes - just down there", as I was heading down to my row.


My gosh, the guy beside me was narky - asked me whether I had a cleaning cloth for glasses, as his were wet, and I'm not sure he believed me when I said I hadn't. Complained about the aircon. Complained about the people we had to get up to let in - to be fair, as I said, I don't know when I last had to get up so much. And as soon as one of the girls between me and the aisle got up at the end, he was actually pushing against me to get out! Jeez, the second one hadn't even moved yet..

Well, at least he enjoyed it. You'd have to be awfully curmudgeonly not to - it is Sondheim, after all. The orchestra are perched on a ledge above the stage, which takes the form of a series of rooms, meant to represent the various rooms in New York where the characters meet. It's the story of Bobby (in this production, transmuted into a woman), who's just turning 35, and not yet partnered up. And beginning to feel the passage of time. Bobby does the rounds of a number of married - and soon-to-be-married - friends; we see some blind dates, and experience Bobby's frustration with the whole thing.

I guess I wasn't in the mood - I was a bit narky today. So I found the first numbers a bit staged, a bit superficial. Catchy, though. But you know.. you can't resist Sondheim. And fear not, even if you dislike musical theatre, this will win you over. The friends are excruciating - but they're supposed to be. I gotta say, my single favourite scene of the entire show was the apartment of the gay couple, getting ready for their wedding. With one of the grooms getting cold feet and a minister popping out from all corners to sing beatifically, it's absolutely hilarious. And I didn't look back from there.

The scene in the bar, where Bobby gets drunk, has a much darker tone. And the scenes with the friends take some interesting twists. It's excellent - and the standing ovation at the end was well deserved. Now booking until the 30th March - and I guarantee you'll enjoy it.

On the way back, I just missed my bus, and would have to wait so long for the next that I figured out I'd be back on the Tube in the time I was waiting! So that's what I did. It was a musical journey, appropriately - in Tottenham Court Road, someone was mangling Baker Street (one of my all-time favourite songs, and how long it is since I heard it) - and in a perfect note, as I changed trains in Euston, I heard what I think was Bach, although I couldn't swear to it. Sheer beauty. Tomorrow, I was with Walking in London again for the Haunted London Pub Tour (also Lantern Ghost Tours, via Funzing). But we've now arranged our team night out for that night. Assuming my flu-ey colleagues are able!

On Thursday, I'm back with Up in the Cheap Seats (UITCS) at the National for Hadestown. My new co-worker raves about it. Then back to Ireland again for the weekend.

On Monday, I'm back to the National for I'm Not Running.

Next Tuesday, I'm off to the Bush, for Drip.

On the 5th, LDN Talks @ Night and London Speaks Sessions (both Funzing) advertised a "Winterville" talk on The Science of Santa, where we get the scientific explanation of how he does it. Taking place at The Windmill. However, seems they meant the day before, when of course I'm busy. So instead I'm going to True West, with Kit Harington, at the Vaudeville. Cheapest tickets from the venue. 

On the 6th, Hazel of Walks, Talks and Treasure Hunts, London Guided Walks (and, indeed, Walking in London) has a Christmas Carol Tour. Now, the last two events I booked with her turned out to be no-shows.. the first might not have been her fault, as she was advertising someone else's event, but the second, she just missed the ball on and left three of us standing on a street corner. Whether this event happens is anyone's guess! Now, it's technically more expensive if you book on Funzing - but if you have my discount (Funzing_Fb20) ;-) it comes down to the same price she charges on her own site, without the booking fee! So I did it that way. But then Henning, with the London European Club, advertised a Happy Xmaths evening at Imperial College, the same night! Festive fun for maths geeks. Plus it's free - you just have to register with Eventbrite. (I see London Social Detours is also doing it now - for a fee. Funny, I wouldn't have put her down as mathsy! Oh, also London Science and Geek Chic Socials.) Anyway, I thought it'd be great to get back with this group. And since I booked the walk with Funzing, I've cancelled and will get a full refund. And I feel no sadness at missing an evening with Hazel, after what's been happening. But gee, this evening is proving to be one of the more popular- now a colleague has booked it for his leaving do. So I'm now going to that instead. Nibbles arranged at The Enterprise.  

On the 7th, back with UITCS at the Royal Court, for The Cane. Got the very last ticket, phew!

On the 8th, with them again at the Orange Tree Theatre for The Double Dealer.

On the 9th, the Crick Crack Club is back at the British Museum for I Know Not, a full afternoon of Sufi legend.

On the 10th, I'm off to the Bridge Theatre for A Very, Very, Very Dark Matter, by Martin McDonagh. Starring Jim Broadbent, this is a dark take on Hans Christian Anderson! Our new starter saw it last week, and proclaimed it "weird". Well, weird is good.

On the 11th, I was going with North London Friends to The Convert, at the Young Vic. Discounted top-price seats, it seems! And then, the Crick Crack Club sent around an advertising email - and damnit if they haven't arranged a meeting that night! The House of Nine Lives is at the British Library, and has Nell Phoenix, Tim Ralphs, and TUUP talking about pussycats. Irresistible. However, I don't get my money back for the play unless they sell on the ticket - hopefully they can.

The 12th is our office Christmas party, but Let's Do This has advertised a Christmas dinner- which sounds a more attractive prospect. So I'm doing that instead. Places filled up quickly with regulars.

On the 13th, I'm thrilled to be going to Matthew Bourne's Swan Lake, at Sadler's Wells, with UITCS. He's a fantastic choreographer, but I've never before gotten around to seeing this all-male version. Then I'm back to Ireland for the weekend again. 

And on the 17th, the Crick Crack Club is performing Gilgamesh, at Soho Theatre. With Ben Haggerty in the spotlight, this will be a treat! Sold out, of course - you have to book these things early. Meeting Helen for a meal beforehand.