Well, I'm in Ireland this weekend again - flying back in a few hours, actually. When I fly to Ireland, I try to find something to go to on the Saturday night - it's the only one I can manage, what with travelling on the Friday and Sunday. Anyhow, it turned out that Limerick Sings is on this weekend, so I booked for us to go to last night's Choral Extravaganza Concert in St. Mary's Cathedral.
My mother fancied using the occasion to find somewhere different for dinner; now, there are three restaurants across the road from the cathdral, by the river - so we decided to try Azur, which had a menu to suit. On the way in, we stopped for a few bits and pieces at a Tesco Express that we pass; I noticed that what used to be a sports bar near the entrance to the small retail park seemed to have changed hands, and was now going by the name of Sareva Bar & Bistro. Checked the menu, which seemed ok - but she still wanted to head to Azur; since it was so close to the cathedral, we could park for the restaurant and not have to move for the concert.
We parked at the courthouse car park, just down the road from the cathedral and across from the restaurants. Crossed the road, and made our way to Azur - the last of the three restaurants. First was The Locke - a popular riverside gastro pub, where music was thumping out as we passed and the outside tables were full of people. Too noisy, too crowded, and no salmon on the menu. We moved on to Amber, which looked nice, and was much less busy - but that's Asian, and she doesn't eat Asian food any more. And so we came to Azur, and opened the door to go in.
We didn't get very far - our way was blocked by a waiter, who firmly told us that the oven was broken, and even if they did get it fixed, they were booked up for the evening. So, the most practical thing for parking was to head back to Sareva, which was only a few minutes back along the road. There's no parking right outside, but I let my mother off at the door and parked in the large car park just beside.
When I'd been checking the menu before, I'd had to sit at a table and have one brought to me - there's none on display. I then told the server I'd have to fetch my mother - she must've wondered, in the meantime, what was keeping me! Anyhoo, we took a table in the corner, by the wall, and were soon served - they weren't busy. In fact, although there were some people in the adjacent bar, only one other table was occupied in the restaurant.
We ordered some decent pinot grigio, in rather funky glasses, and perused the menu. There were three menu options; I was too hungry for the "light bites", but didn't fancy a starter - I wasn't quite hungry enough for that. So I passed on the set menu too, and went for the a la carte, where I ordered the chili glazed chicken, on a bed of noodles and vegetables. My mother, surprisingly.. went for the salmon. Sauce on the side.
Despite us both asking the waiter to put the sauce on the side, the sauce came poured right over the salmon. Happens so often. Well, she scraped it off and ate it anyway. My chicken, I soon discovered, was eyewateringly spicy. Yes, I know it said "chili" in the description - but they usually lay off the spice a bit more than this! The noodles were tasty, and came with a kind of chutney that damped down the spice a little. Even my mother's spicy diced potato was too spicy for her. I was glad of the large carafe of iced water they'd left on the table, most of which I drank; it was a relief to get to dessert.
When we drove back to the cathedral, my mother suggested we follow the lead of some people who'd parked in the cathedral grounds. There isn't much space, but people leave their cars along the driveway, which culminates in a little roundabout surrounding a tree. I got a very good space near the entrance, and we sat for a bit - being quite early - and watched people start to arrive. And in no time, arrive they did - in droves! We determined that most had a part in the production, as they were arriving with garment bags - some had already dressed, and there were men in tuxedos and women in long skirts and dresses. Eventually, when some normally dressed people arrived (without garment bags), we decided it was better to move.
There was actually a queue to get in. When we finally did, I located the ticket desk to the right, and was delighted to find she had a pile of prebooked tickets, among which were ours. The end of last week proved so hectic that I'd completely forgotten to print the confirmation email, and the last time I'd prebooked for here, I'd needed it. Hey-ho, we were in with no problem at all, and instructed to take a seat in the centre aisle; the folding chairs on either side (and at the back) were for choristers. Who were thronging the place: in the kerfuffle, I forgot to pick up a programme, but did at the interval.
We got to see the choirs take position on the stand, as we waited - they were seeing whether they'd fit, methinks:
Many audience members around us had a connection to one or other of the choirs, obviously. And we enthusiastically people-watched until it was time for Lorcan Murray of Lyric FM, acting as compere for the night, to open proceedings. He informed us that this is the third year of Limerick Sings, and that they encourage international participation. In such a spirit, the first up was a youth choir from Spokane (which he informed us was pronounced "Spo-Cannes", at which the chirpy musical director nodded vigorously and beamed at him. Twinned with Limerick, apparently. They were almost exclusively girls - one little fellow descreetly positioned up the top corner. And they were utterly charming! They started with a piece by Kantor, then a rendition of the Lake Isle of Innisfree, set to music. (Pity nobody told them the "s" in "Innisfree" is pronounced "sh"..) They finished with When You Wish Upon a Star, and a jazzed-up version of Gaudete.
A choir from Manchester followed, who obviously had some connection with the folks sitting in front of us. There was a folding chair at the end of each row, and we were never quite sure of their purpose; if for overflow, they weren't needed, but they did prove very handy for anyone who wanted to take photos. Like the chap in front of us with the complicated-looking camera. They were followed by a couple of local choirs - the gospel choir had us all clapping along, while the largest group of the night were the Voices of Limerick (pictured), who overspilled the stage and whose sheer numbers meant they produced the fullest sound.
After a short interval, we were entertained by another Irish choir, then back to the American ones: Los Robles, from California, started with an Irish-language piece, Hinbarra. Fair play to them, their pronunciation was spot-on! This choir was followed by another young choir from Washington, the Eastern Washington University Symphonic choir. Same musical director.. they performed yet another Yeats poem, to which music had been set that had been composed by a member of the choir, a student of music composition! For the finale, the first choir joined them for one number.
A great night, and too late home to blog. Pity we couldn't go to their second concert today. Anyway, after taking my mother to Mass today, she fancied going to the Abbey Tavern - they're friendly, the food is good, and we're regulars. They don't start serving until 12.30, but we lasted.. and whatever we wanted that wasn't specified on the Sunday menu, they were happy to provide. Tasty food, and an enjoyable meal.
I'm looking forward to tomorrow - Meetup threw up something interesting just this afternoon. The World Music Meetup advertised an evening of Italian Swing, Jazz and Rock n Roll! I am so there.. £5 entry. Sounds like a plan.
Showing posts with label St. Mary's Cathedral. Show all posts
Showing posts with label St. Mary's Cathedral. Show all posts
Sunday, 28 June 2015
Saturday, 29 March 2014
Opera: Noye's Fludde
When I saw that Noye's Fludde was showing today, I thought it sounded interesting, and after a quick view on YouTube, I decided to book for it. An unusual sort of thing to be running, it's part of Limerick's year as City of Culture.
We decided that the matinee would be handier, leaving the evening free, and so headed out around lunchtime. Since it's showing at St Mary's Cathedral, which hosts a lot of events and which I've been to before, I knew you can park there and figured we'd arrive in good time to get a space. We arrived with 45 minutes to spare - imagine my surprise when, on approach, the place already looked full! As I passed, a couple of cars exited the grounds, and I guessed they'd been looking for parking too - unsuccessfully. So I crossed my fingers for luck, and headed towards the courthouse, just down the road. This would be the nearest parking, as you can't park on the main road. Now, there is an official car park too - the old potato market - but I was just lucky; as I searched around the courthouse itself, a car just pulled out at that moment. So I parked for free! (The courthouse is closed at weekends, so no-one would be using it for official business.)
Ticket sales for this are handled by the University Concert Hall, and when I went to collect our tickets, the lady turned out to be the same who had given me our tickets the night before (at the concert hall)! Seating was unassigned, except that, if you had paid top price (€15), as we had, you were entitled to one of the seats with a "€15" note taped to them. These, of course, are the best, near the front. Mind you, my mother is fussy about these things, and we did a bit of moving around before she was happy. Making sure, above all, not to be right beside a speaker. And then moved again, to be away from the two small children seated behind us - which turned out to be a wise decision, as the little boy turned into a ball of hyperactivity as the show progressed.
The place was quite full by the time the show started, and the dean explained to us that it would be recorded by Lyric FM, so PLEASE make sure your phones are off - not on silent, as they'll lead to a "blip" on the recording if they receive a signal. This is - as you might guess from the name, but it isn't obvious - an opera about Noah. The composer, Britten, specified that it should be performed in a church or large hall, but not a concert venue. He wanted the audience to participate, so we were provided with hymn sheets and taken through a practice run by the conductor. And we were off!
It was obvious from the start that this is a major undertaking. The orchestra occupies the whole right side of the church, and not all members are even in the conductor's line of sight, which must be awkward. Still, I can't fault their performance. The whole altar area is taken up with props, many of which are reorganised during the performance to reveal the ark. And the cast enters and exits via the main aisle, with various other performers lurking in the side aisles.
But it's not until the show begins that you realise just how much work went into it. The performer who plays Noah is a superb singer, and first on, striding down the aisle to the altar, and then talking to God. Who answers from the back of the church! Now, that was fun, because, while lots of people were looking around for him, it took a while for me to find him. Turned out he was dressed in a sort of white shift, standing high up on the window-ledge, and intoning in a booming voice. Cool! Then the other cast members start to come down the aisle.
The next fun to be had is when the animals start to come to the ark, two by two. Dozens of local schoolchildren must have spent ages making papier mache masks and wings to adorn themselves. Some of the animals are recognisable, some more unexpected - but it's all good fun. Some of the children also try to mimic the motion of their animal, and particular mention must go to the one child that runs along on all fours! Sadly, because of this, and because this was the only child to do it, I didn't get a look at what kind of animal this was supposed to be.
I liked the bit where Noah's wife didn't want to go onto the ark, and had to be carried on bodily, whereupon she rewarded him with a slap! And then the ark is secured, and the flood waters start to rise. These are creatively recreated with flowing blue fabric, adorned with fish, and flapped about by cast members. The storm includes a little strobe lighting to represent lightning, and when it's all over, lights produce a rainbow effect on the altar. Finally, cast members come on, brandishing the sun, moon, and stars.
I was delighted with the production! What a great community effort, and what a fun show they produced! Runs until Tuesday, but the only performance for which tickets are still available is tomorrow (Sunday) afternoon. Appropriately, they held a collection afterwards for local flood victims. Equally appropriately, as we left, it was lashing rain, and has continued to do so all night. My mother didn't want to walk over to the local restaurants in the rain - there is no parking outside them - so we went to the Abbey Tavern in Quin for dinner. This is our usual haunt, and we could park right outside, and were, as usual, most excellently fed. I must say, I am partial to their steak, and to the pepper sauce they serve with it!
Back to London tomorrow, and looking at the plays available, I came up with Other Desert Cities, at the Old Vic, for Monday. Another fraught family drama, it concerns the return of a prodigal daughter. As the Time Out review says, it's a story we've seen so many times before - but we've seen it done in some terrific versions. The review goes on to say that this is the best thing the reviewer has seen at this theatre in ages! That, combined with the fact that the stern matriarch is played by Sinead Cusack, made me surprised that I could get a ticket at all, but I'm not complaining. As ever, in search of the cheapest ticket, I'm in the top level - best deal for a seat with non-restricted view was with onlinetheatretickets.co.uk, which is running a sale with 22% off and no booking fee!
We decided that the matinee would be handier, leaving the evening free, and so headed out around lunchtime. Since it's showing at St Mary's Cathedral, which hosts a lot of events and which I've been to before, I knew you can park there and figured we'd arrive in good time to get a space. We arrived with 45 minutes to spare - imagine my surprise when, on approach, the place already looked full! As I passed, a couple of cars exited the grounds, and I guessed they'd been looking for parking too - unsuccessfully. So I crossed my fingers for luck, and headed towards the courthouse, just down the road. This would be the nearest parking, as you can't park on the main road. Now, there is an official car park too - the old potato market - but I was just lucky; as I searched around the courthouse itself, a car just pulled out at that moment. So I parked for free! (The courthouse is closed at weekends, so no-one would be using it for official business.)
Ticket sales for this are handled by the University Concert Hall, and when I went to collect our tickets, the lady turned out to be the same who had given me our tickets the night before (at the concert hall)! Seating was unassigned, except that, if you had paid top price (€15), as we had, you were entitled to one of the seats with a "€15" note taped to them. These, of course, are the best, near the front. Mind you, my mother is fussy about these things, and we did a bit of moving around before she was happy. Making sure, above all, not to be right beside a speaker. And then moved again, to be away from the two small children seated behind us - which turned out to be a wise decision, as the little boy turned into a ball of hyperactivity as the show progressed.
The place was quite full by the time the show started, and the dean explained to us that it would be recorded by Lyric FM, so PLEASE make sure your phones are off - not on silent, as they'll lead to a "blip" on the recording if they receive a signal. This is - as you might guess from the name, but it isn't obvious - an opera about Noah. The composer, Britten, specified that it should be performed in a church or large hall, but not a concert venue. He wanted the audience to participate, so we were provided with hymn sheets and taken through a practice run by the conductor. And we were off!
It was obvious from the start that this is a major undertaking. The orchestra occupies the whole right side of the church, and not all members are even in the conductor's line of sight, which must be awkward. Still, I can't fault their performance. The whole altar area is taken up with props, many of which are reorganised during the performance to reveal the ark. And the cast enters and exits via the main aisle, with various other performers lurking in the side aisles.
But it's not until the show begins that you realise just how much work went into it. The performer who plays Noah is a superb singer, and first on, striding down the aisle to the altar, and then talking to God. Who answers from the back of the church! Now, that was fun, because, while lots of people were looking around for him, it took a while for me to find him. Turned out he was dressed in a sort of white shift, standing high up on the window-ledge, and intoning in a booming voice. Cool! Then the other cast members start to come down the aisle.
The next fun to be had is when the animals start to come to the ark, two by two. Dozens of local schoolchildren must have spent ages making papier mache masks and wings to adorn themselves. Some of the animals are recognisable, some more unexpected - but it's all good fun. Some of the children also try to mimic the motion of their animal, and particular mention must go to the one child that runs along on all fours! Sadly, because of this, and because this was the only child to do it, I didn't get a look at what kind of animal this was supposed to be.
I liked the bit where Noah's wife didn't want to go onto the ark, and had to be carried on bodily, whereupon she rewarded him with a slap! And then the ark is secured, and the flood waters start to rise. These are creatively recreated with flowing blue fabric, adorned with fish, and flapped about by cast members. The storm includes a little strobe lighting to represent lightning, and when it's all over, lights produce a rainbow effect on the altar. Finally, cast members come on, brandishing the sun, moon, and stars.
I was delighted with the production! What a great community effort, and what a fun show they produced! Runs until Tuesday, but the only performance for which tickets are still available is tomorrow (Sunday) afternoon. Appropriately, they held a collection afterwards for local flood victims. Equally appropriately, as we left, it was lashing rain, and has continued to do so all night. My mother didn't want to walk over to the local restaurants in the rain - there is no parking outside them - so we went to the Abbey Tavern in Quin for dinner. This is our usual haunt, and we could park right outside, and were, as usual, most excellently fed. I must say, I am partial to their steak, and to the pepper sauce they serve with it!
Back to London tomorrow, and looking at the plays available, I came up with Other Desert Cities, at the Old Vic, for Monday. Another fraught family drama, it concerns the return of a prodigal daughter. As the Time Out review says, it's a story we've seen so many times before - but we've seen it done in some terrific versions. The review goes on to say that this is the best thing the reviewer has seen at this theatre in ages! That, combined with the fact that the stern matriarch is played by Sinead Cusack, made me surprised that I could get a ticket at all, but I'm not complaining. As ever, in search of the cheapest ticket, I'm in the top level - best deal for a seat with non-restricted view was with onlinetheatretickets.co.uk, which is running a sale with 22% off and no booking fee!
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