Tonight, with TAC for a classical concert at King's Place (nice and close). This was the Kirckman Society for young artists, presenting Connaught Brass.
I needn't have bothered with O' Neill's, but tried anyway - downstairs was full, upstairs was closed. Just as well I know service is fast, and the food good, at The Lucas Arms! So I schlepped off there instead. Was well, and convivially, fed, and just made King's Place the requisite half hour beforehand. Given the pile of tickets dedicated to this group, I daresay we made up most of the audience! Certainly, it wasn't packed - nothing like the queue for the sold-out concert in Hall Two: Martyn Joseph it was, I believe. Well, I excused myself through the queue, got a drink (in plastic), and waited for Hall One to open, whereupon I was first in to take my seat:
An array of trumpets on stage was joined by another couple of trumpets, a French horn, a tuba, and a trombone, for this brass quintet. They're young musicians - and what I found lovely was to have every piece introduced. I didn't recognise any until the last, but of course, they were all bright and, well, loud! as you'd expect for brass. In the second half, the composer of one of the pieces was in the audience, and came up to introduce it himself; and for the last piece, they'd "reworked" Carmen! As the young man who introduced it to us explained, imagine you're watching the opera at home, and can pause, rewind, and fast-forward to your favourite bits. Yes, that's what the piece was like - lots of "favourite bits", complete with a (slightly) sped-up version of the famous overture to represent fast-forward, and a nicely weird rewrite of a famous aria to demonstrate the internet "going wrong". Very inventive.. and a lovely evening. Even if the guy inside me didn't think much of it, apparently, and left at the interval. Well, that just meant I didn't have to stand to let him in or out!
Tomorrow, Ken's Green Walks for Health (aka Ken's Events, to those of us who know it from before) is off to see the Winter Lights at Canary Wharf. Now, I wouldn't go with them in a fit - but there's nothing to stop me seeing the lights myself for free, eh? I don't see the point in paying Ken £5 to lead a group around.. Mind you, the lady that sold me my ticket for Mandela was in touch afterwards to say that the theatre is offering a free link to a livestream of the full show! and she was asking me what day would suit. This being one of the options, I figured it'd be a good way to avoid the cold of Canary Wharf..
On Friday (unusually, it's usually Thursday), back with Watkin's Bookshop for a book launch. This is Fifty Forgotten Books by R. B. Russell. Occult theme, as usual. Let's see whether I can avoid falling asleep this time!
On Saturday, back at King's Place - this time it's the Crick Crack Club, with Stories in the Dark. Told in darkness, by the sound of it - sounds divine!
On Sunday, back with Cultureseekers for the Hieroglyphs: Unlocking Ancient Egypt exhibition at the British Museum. Assuming it's not curtailed due to transport strikes - there is a warning on the museum website that galleries might have to close early!
On Monday, I've finally booked for Best of Enemies at the Noel Coward Theatre. This play concerns a series of debates on US television between liberal writer Gore Vidal and conservative William F. Buckley in 1968 - the interesting twist here, given the time and place we're talking about, is to cast William Buckley as black! Had my own seat review on Seatplan to guide me in picking a seat - this is one of those restricted view/legroom theatres. And despite all the theatre offers flooding my inbox, I found the cheapest tickets for this on the official website! Mind you, what with See Tickets doing the selling, I found myself with a second, unexplained, booking fee..
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